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Raves For BUST, the First Collaboration From KEN BRUEN and JASON STARR!
“Two of the crime fiction world’s brightest talents, Ken Bruen and Jason Starr, join forces for one of the year’s most darkly satisfying and electric noir novels...This is one of the top guilty pleasures of the year.”
—Chicago Sun-Times
“This tense, witty, cold-blooded noir...reads seamlessly—and mercilessly...Funny [and] vividly fresh.”
—Entertainment Weekly
“A full-tilt, rocking homage to noir novels of the 1950s...A seamless blend of Bruen’s dead-on Irish underworld and Starr’s hellish vision of the Big Apple, Hard Case’s latest release is smart, trashy fun.”
—Publishers Weekly, starred review
“Fasten your seat belts, and enjoy the bumpy ride of double- and triple-crosses, blackmail, and murder. If Quentin Tarantino is looking for another movie project, this novel with its mix of shocking violence and black comedy would be the perfect candidate. Highly recommended as a terrific summer read.”
—Library Journal, starred review
“Two of the century’s best thriller writers have joined forces to bring a postmodern twist to the black heart of noir fiction. Grade: A.”
—Rocky Mountain News
“A really black comedy...I pretty much laughed my ass off.”
—Sarah Weinman
“Really good...very violent and very funny.”
—Jenny Davidson
“Crosses and double-crosses, miscalculations and blunders, and plenty of dead bodies...For those who like the bungling-criminal genre, this is good fun.”
—Booklist
“A fearsome and wondrous mix of vile characters [in] a caper novel worthy of Westlake or Leonard...exquisitely conceived and flawlessly written.”
—Book Reporter
“The prose reads like a dream. Fast paced and bursting with energy...Hard Case Crime have released some of the best new novels of the past few years. They’ve given us some amazing reprints of classic crime. But this book, Bust, has just upped the ante once more.”
—Crime Scene
They called him Slide because he didn’t let anything slide, ever. He’d killed thirteen and counting. Counting like the ritual psycho he was. Counting on there being more—lots more. He was, as they say, only getting warmed up. The name, trademark, signature if you like—that’s right, he had a signature—came from what he’d whisper to his victim before administering his coup de grace.
“Know what, partner?...I’m gonna let it slide.”
Ah, that sheen of hope, that desperate last dangling moment of reprieve. It got him hot every time.
He had looks to kill, like a wannabe rock star. Long dark hair, falling into his eyes, always the black leather jacket and the shades, knock-off Ray-Bans. He wore a thin band on his left wrist, woven by the tinkers. He didn’t come from the classic horrendous background. He was that new comfortable Irish middle class—lots of attitude, smarts and a mouth on him. Raised in Galway, he’d been to the best schools, never wanted for anything. His passion was all things American.
He had one sister, always in his face, taunting him about his long hair, his huge blue eyes that girls would swoon over. They’d been swimming, his sister and him, and literally, in a second, the voice said, “Drown the bitch.”
He did. Whispered to her, “Was gonna let it slide.”
Maybe the world didn’t know it yet, but Slide was gonna be one of the greats. Dahmer, Bundy, Ridgway, Berkowitz, Gacy, and Slide. But he needed cash to finance his dream. Piles of it.
And that was how Slide got into the kidnapping biz...
SOME OTHER HARD CASE CRIME BOOKS YOU WILL ENJOY:
THE GIRL WITH THE LONG GREEN HEART by Lawrence Block
THE GUTTER AND THE GRAVE by Ed McBain
NIGHT WALKER by Donald Hamilton
A TOUCH OF DEATH by Charles Williams
SAY IT WITH BULLETS by Richard Powell
WITNESS TO MYSELF by Seymour Shubin
BUST by Ken Bruen and Jason Starr
STRAIGHT CUT by Madison Smartt Bell
LEMONS NEVER LIE by Richard Stark
THE LAST QUARRY by Max Allan Collins
THE GUNS OF HEAVEN by Pete Hamill
THE LAST MATCH by David Dodge
GRAVE DESCEND by John Lange
THE PEDDLER by Richard S. Prather
LUCKY AT CARDS by Lawrence Block
ROBBIE’S WIFE by Russell Hill
THE VENGEFUL VIRGIN by Gil Brewer
THE WOUNDED AND THE SLAIN by David Goodis
BLACKMAILER by George Axelrod
SONGS OF INNOCENCE by Richard Aleas
FRIGHT by Cornell Woolrich
KILL NOW, PAY LATER by Robert Terrall
SLIDE
by Ken Bruen
and Jason Starr
A HARD CASE CRIME BOOK
(HCC-036)
First Hard Case Crime edition: October 2007
Published by
Titan Books
A division of Titan Publishing Group Ltd
144 Southwark Street
London
SE1 0UP
in collaboration with Winterfall LLC
If you purchased this book without a cover, you should know that it is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.”
Copyright © 2007 by Ken Bruen and Jason Starr
Cover painting copyright © 2007 by R. B. Farrell
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording or by any information storage and retrieval system, without the written permission of the publisher, except where permitted by law.
This book is a work of fiction. Names, characters, places, and incidents either are the products of the author’s imagination or are used fictitiously, and any resemblance to actual events or persons, living or dead, is entirely coincidental.
Print edition ISBN 978-0-85768-356-4
E-book ISBN 978-0-85768-391-5
Cover design by Cooley Design Lab
Design direction by Max Phillips
www.maxphillips.net
Typeset by Swordsmith Productions
The name “Hard Case Crime” and the Hard Case Crime logo are trademarks of Winterfall LLC. Hard Case Crime books are selected and edited by Charles Ardai.
Printed in the United States of America
Visit us on the web at www.HardCaseCrime.com
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TABLE OF CONTENTS
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
One
Some people never go crazy. What truly horrible lives
they must live.
CHARLES BUKOWSKI
Max Fisher opened his eyes, looked at the blurry mess around him, thought, Where the fuck am I? He managed to turn his head, stare at a wall. It was a white wall. The walls in his apartment were white—okay, he was probably home. What day was it? He thought it was Monday because yesterday was Sunday, right? Didn’t he see a football game on TV, at the bar he was drinking at? Or was that two days ago? Wait, it wasn’t football, it was baseball. It was July for Christ’s sake. The Fourth was just, what, last week? He remembered loud noises, explosions, fireworks. Yeah, it definitely wasn’t football season.
He rolled over toward the night table, misjudged it, fell onto the floor. Right on his hip. Must’ve been a bad fall because the pain killed even though he was still smashed.
“Aw, Christ,” he said, wincing, tasting vomit.
He stayed like that for a long time, might’ve passed out, then managed to struggle to his knees. The pain in his hip was excruciating, but he figured if he’d broken something he wouldn’t be able to move.
Using all his energy, he squinted, trying to focus on the digital clock. There was a 7 there and a 1 and was that a 5? No, it was an 8. 7:18. There was light outside behind the curtains so it was morning—okay, things were coming together. Then he made out the letters above the numbers: W E D S. Fuck, it was Wednesday morning—a workday. He had meetings to go to, people to see, deals to close.
Holding onto the bed, using all his might, he was able to stand. It was hard to stay upright, though. What was with the floor? He needed to shower, put on a suit, get to the fucking office. He took a couple of steps, almost fell, then a voice reminded him, You don’t work anymore.
Then it all came back to him, how his whole life had been ruined by his former executive assistant—and, briefly, ex-fiancée—that Greek-Irish whore, Angela.
Angela. Max wished he could strike that name from his brain, like they did in that Schwarzenegger movie, Total...what the fuck was the name of it? Max couldn’t even watch TV anymore. Angela’s Ashes, Angela Lansbury, Angela Bassett. Suddenly Angelas were fucking everywhere. Even on the street there were reminders—the hair, the tits, the sickening Irish accent. One day Max heard a tourist near Rockefeller Center go to his friend, I’d fancy a pint me own self, and Max wanted to strangle the Guinness-loving fuck.
The first time Max had laid eyes on Angela and her incredible bust, he should’ve known how things would turn out. Big tits meant big trouble; every guy knew that. Max always listened to his instincts, but the one time he let his guard down—kaboom.
Things had been great before she came along all right; yeah, his life had been hopping. He was the fucking man, the head honcho, the big enchilada, you ask anyone. He was a player and he had freaking mega plans, he was riding that gravy train all the way to the goddamn zenith. He owned a successful computer networking company, lived in a spectacular town house on the Upper East Side. Then Angela came along. Fucking Angela. She was like a living curse, a goddamn virus.
And not only had the cunt wreaked havoc all over his perfect life, she’d given him herpes! When you see those blisters in the morning while you’re having a long lazy piss, you see agony, you see fucking terror.
After Angela ran off to Ireland—charging the flight on his AmEx—he’d gotten revenge. One night he was drinking at some bar in the Bowery and he met a witch, Glinda. Her name wasn’t really Glinda—he didn’t know what the hell her name was—but that was what he’d called her in his mind. Anyway, Max went to her, “You mean you can cast spells?”
“Of course I cast spells,” she said, as if offended. “I said I’m a witch, didn’t I?”
Max glared at her, then said, “Yeah, well, I want you to put the evilest spell you can come up with on my ex-fiancée. Make her life and everybody’s life around her a total living hell.”
The witch cast the spell, said it was the harshest she’d ever done. Did Max sleep with her afterward? He vaguely remembered some wild, crazy woman, babbling about Wicca while he was banging her, but that could’ve been a dream.
The witch’s spell might’ve ruined Angela’s life, but it didn’t make Max’s any better. So Max had been trying to drink Angela out of his mind. It had been working, too. Or at least he’d thought it had been working until he wound up here. Wherever here was. And the sad truth was this wasn’t the first time something like this had happened. Blackouts, those holy rollers in twelve-step programs called them. But this was worse than usual. Before now he’d never gotten fucking lost.
After stumbling and wobbling into the bathroom, Max looked at a mirror, almost not recognizing the bum with swollen, bloodshot eyes and pasty white skin and strings of greasy gray hair hanging over his face. And why were his teeth all yellow, and was one missing?
“Aw, Jeethus,” he lisped. Or Jaythus, as that Irish cunt would say. “Not a toof gone. Gimme me a fucking break.”
Max’s big problem was, despite all he’d been through over the past few months, his ego was all there. He might’ve looked like a cesspool on the outside, but inside, he was still the same happening, suave, debonair, hip Max Fisher he’d always been.
He splashed some cold water onto his face and toweled off and something clicked. The towels—they weren’t his. And the vanity and tiles—this wasn’t his bathroom. Where the fuck was he?
He stutter-stepped back into his bedroom. Wait, it wasn’t his bedroom, it was a fucking hotel room. He parted the curtains and brightness stung his eyes like he was Dracula getting out of his coffin. His eyes finally adjusted and he saw a parking lot. He was in a motel, on the ground floor.
“Jeethus H,” he said.
It took him a while to find his pants on the floor. They had stains all over them. He put them on, inside out first, then the right way.
“Shirt, shirt, hell’s my shirt?” he said, fumbling and stumbling around the room.
Finally he found a wife-beater T slung over a chair and put it on.
When he opened the door, the sunshine stung his eyes again. He went to the front of the motel, to the office. A young unshaven blond guy was on the phone.
Max stood there, rolling his eyes, while the guy took forever to get off the phone with his girlfriend or whoever. Max felt like raising hell for this kind of treatment—write letters, make phone calls, get this jackass fired. Firing people, this was Max’s gig, how he’d risen to the top. And, by Christ, he’d rise again.
Finally the guy hung up, said, “Can I help you?” and Max went, “Where the fuck am I?”
The kid gave Max a look like he’d never heard the word fuck before, then said, “The Golden Star Motel.”
“Where the fuck’s that, Jersey?”
Another long look. Max wondered if the guy was retarded, had one of those learning disabilities. Or maybe he was dyslexic, was hearing everything backwards, like he thought Max was speaking Hebrew.
Finally the kid went, “You’re not serious are, you?”
“Do I look like I’m not fucking serious? I don’t see buildings anywhere so I know I’m not in goddamn Manhattan.”
No pause this time, just, “Sir, you’re in Robertsdale, Alabama.”
Max looked at him like he was full of shit, said, “You’re full of shit.”
The kid showed him a business card, a brochure. Shit, Alabama. And the kid’s accent wasn’t Jersey; it had southern hick written all over it. That also explained why he was so slow, like everything Max said seemed to have to bounce off a satellite before reaching his brain. Didn’t they fuck sheep or their sisters or both down here?
“How the hell did I get here?”
Long delay then, “Well, according to what it says here on the computer, you checked in yesterday afternoon.”
“But how?” Max said. “I live in fucking Manhattan.”
The kid didn’t have an answer to this, just stared at Max with a stumped expression.
Max said, “So where is...” He squinted at the brochure, holding it arm’s length away bec
ause he didn’t have his reading glasses. “...Robertsdale.”
“About forty miles from Mobile, sir.”
Jesus, sounded like the name of a freaking Glen Campbell song. And gee, like that really helped. Like the whole world knew fucking Mobile.
Baffled, Max returned to his room. He sat on the foot of the bed, racking his brain, trying to piece together the last few days of his life. He didn’t make much progress. He remembered seeing that baseball game on TV at a bar in New York. It was definitely in New York, he was sure of that. Wasn’t it that place in Hell’s Kitchen he’d been drinking at? Yeah, he remembered the bartender, the black guy, trying to cut him off, telling him he had a drinking problem. Max, who’d been schmearing the guy for weeks, must’ve given him five hundred bucks in tips, said, “Are you fuckin’ kiddin’ me?” He realized he wasn’t when the bouncer carried him out of the place, dropping him on a pile of garbage.
Max had no idea why the bartender wanted to get rid of him, but the idea that he had a drinking problem was the biggest joke ever. Max Fisher couldn’t handle his liquor—yeah, right, that was a good one. Max knew he’d been drinking a lot lately—well, pretty much all the time—but he knew his limit; he knew when to stop. He was just in an alcohol phase that’s all. He was de-stressing, doing what he had to do to get by till it was time to get back in the game. Look at all the big players in every sport, didn’t they all have a time out for abusing something? Fuck, it was almost mandatory. It was freaking un-American not to have some issues. Dr. Phil built a career on it, for chrissakes. Besides, Max knew he was in total control and could kick the habit whenever he wanted to. That was the key.
All this thinking about drinking was making Max crave one. The few empty bottles of vodka and scotch strewn on the floor whetted his appetite even more. He went around the room, going, “Booze, booze, where the fuck are you? Come out, come out, wherever you are.” He needed the wag of the dog, or whatever the hell it was called. Finally, under the bed, a bottle of Stoli, one quarter full. To hell with the glass, it tasted best straight from the bottle. Mmm, yeah, like that. Yep, it was hitting home big time. Max Fisher was back, all right.